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TKDANewsletter #40 TKDANewsletter #40 I Swear To Good You Are God At This is a RAD book by our friend David Brown of Holiday Matinee. What inspired this idea? Yes, we're all aware the economy is in the toilet and that it's...

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Studio Works Silkscreen WorkshopsStudio Works Silkscreen Workshops Spring Fling - Open Studio Saturday March 13th / 10am - 2pm For complete beginners or experienced designers, this is a great way to spend the day with your kids, your friends, or completely strange...

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TKDANewsletter #39 Garner Grace TKDANewsletter #39 Garner Grace What inspired your collection? we referenced strong details from different decades and mixed  them in modern unexpected ways What product is a must-have for you from your collection? our...

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DO good.DO good. THE GIRL EFFECT, n. -- The powerful social and economic change brought about when girls have the opportunity to participate. ABOUT: Adolescent girls are uniquely capable of raising...

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DO good.DO good. You recycle. You choose organic. You conserve energy. Now take at-home environmentalism to the next level. Each time you have a PB&J you shrink your carbon footprint, YOU REDUCE GREENHOUSE...

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TKDANewsletter #41: Narrative Art Exhibition

Posted by webdev | Posted in Newsletter | Posted on 23-06-2010

Tags: , , , , , , , , , , , , , , ,

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Art by: Marco Wagner (L) and David Michael Bowers  (R)

Art by: James Jean

Check out Survey Select

Another amazing event created by our friend Mark Murphy. The eight-week event will be held at the Wonderbread Factory in downtown San Diego. Read a bit about the event and about Mark here, be sure and click on the links for more scoop and then forward this email onto a friend. Inspire. Share. Give back.


What inspired this idea?
Survey Select was inspired by the American art salons that started in the late 1920s.  During the salons of old, the public was exposed to unique fine art, poetry, critical writings about the times and way out entertainment.


Blog to recommend?
http://www.good.is/ : Good thinking by great people just like you. Original, fresh and current, check it.


Where is the event?
The eight-week long event will be held at the Wonderbread Factory in downtown San Diego, 1400 Imperial Ave., San Diego, CA 92101



When is the event?

July 15th – September 5th, 2010 open Tuesday through Sunday 10:00 AM – 5:00 PM daily.  Along with a full calendar of nightly events


What is your favorite workshop featured in this event?

All of the workshops will be my favorites, as they feature visiting artists, great films and live music.


What is the best thing about helping people?
An invitation to participate, make a difference and create a mutual and positive exchange.


What inspires you, personally?
Dialogue, discovering and experimentation. All of these things help me with my process of creativity, actively exchanging, learning through exposure to new ideas and experience through mixing it up.


What art / artists are on your wall?


Most inspiring quote?
“A hero is someone who has given his or her life to something bigger than oneself.” –Joseph Campbell


Hobbies?
Collecting, Archiving, Promoting and Sharing living artists. Hiking and traveling.


What can you not live without?
The ocean + Torrey Pines + sunshine = inspiration


What music is playing in your office?
MANUOK, the Album Leaf, Craig Armstrong, eclectic everything


Plans for the future?
The Museum of Narrative Arts celebrating storytelling through fine art, literature and film. A huge civic project that I hope to break ground in a couple of years. It has been a project in the making over a lifetime. Care to join in, give me a shout.


Upcoming Events:

July 16 : 6PM – 11:00 PM featuring Live Music by SSI, 65 world-class artists, 21 and over please

July 22 : 6 PM – 11:30 PM featuring Live Music by Thesis Sahib, 65 world-class artists, 21 and over please

TKDANewsletter #38: Amy K Life Coaching

Posted by webdev | Posted in Newsletter | Posted on 18-12-2009

Tags: , , , , , , , , , , , , , , ,

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LIFE IS BUSY. And, yes, busy is good… BUT doesn’t it feel like there is just too much to do? That your “to-do” list goes on forever? Plus, with the economy still in flux, it seems like we have to do even more, but with less. I am always asking myself how I can do more. But my friend and rocking Executive and Leadership Coach, Amy K,(link to the tkdablog article here on her) takes a slightly different approach.
What inspired this idea?
A keen desire to leave my exciting, but exhausting high tech career back in 2002 and do something totally on purpose. I love momentum & growth and that is what coaching is about. It’s about getting someone’s soul in action. Part of it is touchy-feely with loads of self-reflection. But, there is also a practical, ‘what are you doing to DO?!’ part too. I love the mix and the results that come for my clients.
What is your favorite Amy K moment?
The moment a client really gets that they have their own answers and are capable of everything.
What inspires you, personally?
People who are serious about their growth & who constantly evolve.
How do you gain motivational ideas?
Listening to my clients – they are brilliant.
What is Amy K Coaching doing for the environment?
The best work I do for the environment is coaching my clients to reach THEIR full potential. For example, one of my clients is now a marine biologist saving the coral reefs. Another started a not-for-profit to help create a green world (http://reapcalgary.com/). Far more impact than my blue bin recycling.
What is the best thing about helping people?
The knowledge that I am doing exactly what I am wired to do – this is why I am on the planet.
Who can’t resist a Coaching Booster?  Not us. Not you. Click HERE to download. (http://amykcoaching.com/what_do_you_want.html)
What art / artists are on your wall?
A moody, sensual piece by Julie B. Montgomery (http://juliebmontgomery.com).
What product of technology could you not imagine living without?
The telephone. 80% of my clients are spread out across North America and a few further afield. I can coach anywhere via the phone.
Artist to recommend?
I’m in love with Liz Brady (http://lizbradyart.com)
What music is playing in your office?
Damien Rice. http://www.damienrice.com/music.php
Plans for the future?
To be vigilant in sustaining the work/life balance I have created. It is fabulous.
Amy K moments are great newsletters. Highly recommend signing up.

amykblue

LIFE IS BUSY.

LIFE IS BUSY! And, yes, busy is good… BUT doesn’t it feel like there is just too much to do? That your “to-do” list goes on forever?  Do you also find yourself seeking out ways to do even more? (Yep, us too!)  Plus, with the economy still in flux, it seems like we have to do even more, but with less.  Well, our friend and rocking Executive and Leadership Coach, Amy K takes a slightly different (and inspiring) approach.  She asks:


BUT ARE YOU REALIZING YOUR FULL POTENTIAL??!!!


What inspired this idea?

A keen desire to leave my exciting, but exhausting high tech career back in 2002 and do something totally on purpose. I love momentum & growth and that is what coaching is about. It’s about getting someone’s soul in action. Part of it is touchy-feely with loads of self-reflection. But, there is also a practical, ‘what are you doing to DO?!’ part too. I love the mix and the results that come for my clients.

What is your favorite Amy K moment?

The moment a client really gets that they have their own answers and are capable of everything.

What inspires you, personally?

People who are serious about their growth & who constantly evolve.

How do you gain motivational ideas?

Listening to my clients – they are brilliant.

What is Amy K Coaching doing for the environment?

The best work I do for the environment is coaching my clients to reach THEIR full potential. For example, one of my clients is now a marine biologist saving the coral reefs. Another started a not-for-profit to help create a green world. Far more impact than my blue bin recycling.

What is the best thing about helping people?

The knowledge that I am doing exactly what I am wired to do – this is why I am on the planet.

Who can’t resist a Coaching Booster?

Not us. Not you. Click HERE to download.

What art / artists are on your wall?

A moody, sensual piece by Julie B. Montgomery

What product of technology could you not imagine living without?

The telephone. 80% of my clients are spread out across North America and a few further afield. I can coach anywhere via the phone.

Artist to recommend?

I’m in love with Liz Brady

What music is playing in your office?

Damien Rice

Plans for the future?

To be vigilant in sustaining the work/life balance I have created. It is fabulous.

Any recommendations?

Amy K moments are great newsletters. Highly recommend signing up.

TKDA Newsletter #37: ARTSPROJEKT

Posted by webdev | Posted in Newsletter, Uncategorized | Posted on 29-10-2009

Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

2

Picture 6ARTSPROJEKT
Say hello to Andy Howell. For those of you that know him, rock on and keep readin’. For those of you who don’t (yet), get ready to be inspired – for Andy is one of the greats, the true artists and true to the core art lovers. His latest creation is ARTSPROJEKT –  a playground in which the world’s most creative individuals and brands can turn unique ideas into dynamic product experiences that best represent each individual artist and brand. Check it out.
What is the best thing about helping people dream big?
Easy: helping inspire new generations of creative people to realize the impact they can have on the world.
What inspires you, personally?
Love is the most powerful emotion I’ve ever felt, so manifestations of love are naturally the most inspiring to me.
What music is playing in your office?
Supersuckers, Devendra Banhart, Valerie Carter, GC the EP, and the Ramones
Blog to recommend?
http://lostateminor.com
What is your favorite featured Artsprojekt product?
The homepage (http://Artsprojekt.com) is mostly the favorites and newness featured by me and the Artsprojekt crew, so there are definitely gems there. Special editions are a focus right now, creating collaborations with international artists and brands, crossing wires between cultures, geography, and matching emerging artists with global brands to see what kind of electricity erupts.
Andy Howell / Artsprojekt.comTKDA Blog Q & AWhat inspired this idea?Over the past 20 years I have been involved in various creative movements within the youth culture, and for the most part have been on the leading edges of the new markets and industries they are known to spawn. This has meant a lot of DIY entrepreneurialism, creating general awareness for new movements, and fostering creativity and community against a backdrop of ignorance. Examples are new art and fashion in the metropolitan environment, street skating, snowboarding, hip hop, punk music, and DIY publishing. In each of these my role as participant and also entrepreneur has helped to further the movements and push the creative envelope, establishing in part a template for future generations to expand and innovate.Throughout this period in my life, there have been constant challenges that I’ve seen stand in the way of success for “artrepreneurs,” these independent artists turned entrepreneurs. I use the term “artist” to describe anyone involved in an artistic pursuit, including painters, illustrators, graphic artists, typographers, animators, photographers, video game designers, vinyl figure designers, fashion designers, graffiti writers, and a host of others. The fundamental challenge for the artist turned business administrator is one of opposing passions competing for airtime. Right brain: art. Left brain: administration and business. Both are key to success. Most artists with an entrepreneurial spirit start out using 95% of their time to create art in one form or another, and maybe 5% handling the business side of their art. When their art gets traction with an audience and they start to build a business, they find that ratio reversed to a great extent, which usually brings dilution of their art’s impact. Eventually they lose the creative edge and become disillusioned.These artistic visionaries then have to choose between the daunting road of creating and running their own business with much less focus on their true artistic talents, and the prospect of freelance, consulting, or employment with a larger firm. Both paths have benefits and challenges, but for the artrepreneur, the latter feels like defeat. However, for the serial artrepreneur, as I define myself, these challenges fall somewhere between speed bump and lost battle.Having first hand experience and seeing this happen over and over for so many years with different creative visionaries, I actually became inspired to seek out a real solution for the artrepreneur. I created agencies, collectives and exhibitions to help bring light to creative talents, then a brand incubator to foster collaboration between business and artistic minded groups, and eventually combined many of the concepts for a truly global global platform enabled by the convergence of technology, community, and art.I founded Artsprojekt to bring independent artists and brands the knowledge and guidance needed to successfully navigate the landscape of the institutional art and manufacturing worlds, as the two have begun to cross pollinate and ultimately mesh. I aligned with museum curators, art appraisers, galleries, retailers, and product manufacturers to create funnels for creativity that led to exhibitions, commissions, products, and collections for cutting edge boutiques and big box retailers in the US.Then I was introduced to the powerful tool of technology as a means to connect large groups of creatives and allow them to leverage community and product manufacturing platforms to amplify their ideas to a global audience. Artsprojekt was acquired by Zazzle.com, Inc in 2008, and I began to work together with some of the most creative engineering minds in the world to build on Zazzle’s tools to allow independent artists and brands to create their own businesses using the platform. Artsprojekt allows artists to instantly manifest their ideas as products available worldwide, including reproductions of original art and designs as prints, posters, apparel, footwear, skateboards, and many more.  There is no paid cost to take part, and we handle everything on the back end including providing the product configuration and virtualization tools, financing, inventory, production management, manufacturing, embellishing, quality assurance, intellectual property review, shipping, customer service, and platform maintenance.The revenue sharing model we work from is generous, even more economically sound than traditional inventory models in many cases, and every entity involved in the process of an online sale is rewarded, so the community is synergistic in the commerce sense. Now artists can truly focus on the most important parts of the process: following their inspirations in order to create unique and compelling designs, and sharing the resulting products with their audience and fans worldwide.  The platform is becoming, by definition, the most immediately relevant cultural experiences and products from artists and brands worldwide, backed by a trusted backbone of quality and service that already reaches over 10 million fans a month.kind of electricity erupts.What is Artsprojekt doing for the environment?Artsprojekt is by definition a beautiful contradiction. It’s an immediately relevant platform for millions of people to express themselves in a fully-customized made-to-order manufacturing environment, two elements that have been silo’d in the past and rarely mentioned in the same sentence. But this idea of mass customization is the most empowering and environmentally friendly volume alternative to traditional manufacturing and distribution I have ever seen.Creatives can manifest any unique idea or design as virtual products using our technology platform, and post that product for sale in their Artsprojekt store and their own storefronts, sites, blogs, social networks, emails, anywhere. There is no upfront cost or inventory, because the products are virtual during the design, merchandising and transaction stages of their life. Once a transaction is complete, meaning once a consumer buys one of the products, it is then manufactured in a made-to-order environment by a manufacturing technician, and shipped along with other items in the order to the end user. There is no overproduction or wasted inventory, focused one-off manufacturing, one product path directly to the consumer as opposed to many inventories and shipping costs, and a less than 1% blended return rate due. All of these reduce expenditure of resources throughout the process, greatly reducing the footprint, while expanding the range of options to nearly infinite for the consumer.Its an entirely different commerce and manufacturing model than the one that has been used in the past, and we believe our platform for mass customization is the next wave of product experience controlled completely by the independent artist, brand, and consumer. It’s exciting to see the values I have held dear for over 20 years, independent and unique creative expression and entrepreneurialism, being resurfaced with such force through this alignment of technology, art, and consumer demand.In introduction of the concept I sometimes say Artsprojekt and Zazzle are “like iTunes for products”. That seems to make it more tangible for people.What art / artists are on your wall?My wife and I are both artists, so we are very passionate about collecting art that inspires us. This neo-contemporary movement we are involved in is at the forefront of the collection, along with some of the contemporary and pop artists that have helped inspire and enable it.  Our collection includes Andy Warhol, Keith Haring, Takashi Murakami, Erte, Shepard Fairey, Milo Manara, Dalek, Sam Flores, David Choe, Alex Pardee, Kathie Olivas, Ed Templeton, Mark Gonzales, Barry McGee, Howard Finster, Guy Burwell, Martin Ontiveros, Mike Burnett, Mike Keshnar, Jim Mahfood, Jesse Reno, and many other artists spread across conceptual, comic, pop, neo-contemporary, folk, and street art genres.What did you eat for breakfast?Toasted baguette with avocado and sea salt. Fresh orange juice. Coffee.Artists to recommend?Personally I’m watching Ray Ceasar, Yoko D’Holbachie, Four Yip, Jesse Reno, Victor Moscoso, Sesper, Mr Jago, Mimi S, Dan May, Nathan Spoor, Steven Daily, Food One, Mike Kershnar, and so many more, the list is increasing daily…Plans for the future?Yes.
Andy Howell / Artsprojekt.com
TKDA Blog Q & A
What inspired this idea?
Over the past 20 years I have been involved in various creative movements within the youth culture, and for the most part have been on the leading edges of the new markets and industries they are known to spawn. This has meant a lot of DIY entrepreneurialism, creating general awareness for new movements, and fostering creativity and community against a backdrop of ignorance. Examples are new art and fashion in the metropolitan environment, street skating, snowboarding, hip hop, punk music, and DIY publishing. In each of these my role as participant and also entrepreneur has helped to further the movements and push the creative envelope, establishing in part a template for future generations to expand and innovate.
Throughout this period in my life, there have been constant challenges that I’ve seen stand in the way of success for “artrepreneurs,” these independent artists turned entrepreneurs. I use the term “artist” to describe anyone involved in an artistic pursuit, including painters, illustrators, graphic artists, typographers, animators, photographers, video game designers, vinyl figure designers, fashion designers, graffiti writers, and a host of others. The fundamental challenge for the artist turned business administrator is one of opposing passions competing for airtime. Right brain: art. Left brain: administration and business. Both are key to success. Most artists with an entrepreneurial spirit start out using 95% of their time to create art in one form or another, and maybe 5% handling the business side of their art. When their art gets traction with an audience and they start to build a business, they find that ratio reversed to a great extent, which usually brings dilution of their art’s impact. Eventually they lose the creative edge and become disillusioned.
These artistic visionaries then have to choose between the daunting road of creating and running their own business with much less focus on their true artistic talents, and the prospect of freelance, consulting, or employment with a larger firm. Both paths have benefits and challenges, but for the artrepreneur, the latter feels like defeat. However, for the serial artrepreneur, as I define myself, these challenges fall somewhere between speed bump and lost battle.
Having first hand experience and seeing this happen over and over for so many years with different creative visionaries, I actually became inspired to seek out a real solution for the artrepreneur. I created agencies, collectives and exhibitions to help bring light to creative talents, then a brand incubator to foster collaboration between business and artistic minded groups, and eventually combined many of the concepts for a truly global global platform enabled by the convergence of technology, community, and art.
I founded Artsprojekt to bring independent artists and brands the knowledge and guidance needed to successfully navigate the landscape of the institutional art and manufacturing worlds, as the two have begun to cross pollinate and ultimately mesh. I aligned with museum curators, art appraisers, galleries, retailers, and product manufacturers to create funnels for creativity that led to exhibitions, commissions, products, and collections for cutting edge boutiques and big box retailers in the US.
Then I was introduced to the powerful tool of technology as a means to connect large groups of creatives and allow them to leverage community and product manufacturing platforms to amplify their ideas to a global audience. Artsprojekt was acquired by Zazzle.com, Inc in 2008, and I began to work together with some of the most creative engineering minds in the world to build on Zazzle’s tools to allow independent artists and brands to create their own businesses using the platform. Artsprojekt allows artists to instantly manifest their ideas as products available worldwide, including reproductions of original art and designs as prints, posters, apparel, footwear, skateboards, and many more.  There is no paid cost to take part, and we handle everything on the back end including providing the product configuration and virtualization tools, financing, inventory, production management, manufacturing, embellishing, quality assurance, intellectual property review, shipping, customer service, and platform maintenance.
The revenue sharing model we work from is generous, even more economically sound than traditional inventory models in many cases, and every entity involved in the process of an online sale is rewarded, so the community is synergistic in the commerce sense. Now artists can truly focus on the most important parts of the process: following their inspirations in order to create unique and compelling designs, and sharing the resulting products with their audience and fans worldwide.  The platform is becoming, by definition, the most immediately relevant cultural experiences and products from artists and brands worldwide, backed by a trusted backbone of quality and service that already reaches over 10 million fans a month.
kind of electricity erupts.
What is Artsprojekt doing for the environment?
Artsprojekt is by definition a beautiful contradiction. It’s an immediately relevant platform for millions of people to express themselves in a fully-customized made-to-order manufacturing environment, two elements that have been silo’d in the past and rarely mentioned in the same sentence. But this idea of mass customization is the most empowering and environmentally friendly volume alternative to traditional manufacturing and distribution I have ever seen.
Creatives can manifest any unique idea or design as virtual products using our technology platform, and post that product for sale in their Artsprojekt store and their own storefronts, sites, blogs, social networks, emails, anywhere. There is no upfront cost or inventory, because the products are virtual during the design, merchandising and transaction stages of their life. Once a transaction is complete, meaning once a consumer buys one of the products, it is then manufactured in a made-to-order environment by a manufacturing technician, and shipped along with other items in the order to the end user. There is no overproduction or wasted inventory, focused one-off manufacturing, one product path directly to the consumer as opposed to many inventories and shipping costs, and a less than 1% blended return rate due. All of these reduce expenditure of resources throughout the process, greatly reducing the footprint, while expanding the range of options to nearly infinite for the consumer.
Its an entirely different commerce and manufacturing model than the one that has been used in the past, and we believe our platform for mass customization is the next wave of product experience controlled completely by the independent artist, brand, and consumer. It’s exciting to see the values I have held dear for over 20 years, independent and unique creative expression and entrepreneurialism, being resurfaced with such force through this alignment of technology, art, and consumer demand.
In introduction of the concept I sometimes say Artsprojekt and Zazzle are “like iTunes for products”. That seems to make it more tangible for people.
What art / artists are on your wall?
My wife and I are both artists, so we are very passionate about collecting art that inspires us. This neo-contemporary movement we are involved in is at the forefront of the collection, along with some of the contemporary and pop artists that have helped inspire and enable it.  Our collection includes Andy Warhol, Keith Haring, Takashi Murakami, Erte, Shepard Fairey, Milo Manara, Dalek, Sam Flores, David Choe, Alex Pardee, Kathie Olivas, Ed Templeton, Mark Gonzales, Barry McGee, Howard Finster, Guy Burwell, Martin Ontiveros, Mike Burnett, Mike Keshnar, Jim Mahfood, Jesse Reno, and many other artists spread across conceptual, comic, pop, neo-contemporary, folk, and street art genres.
What did you eat for breakfast?
Toasted baguette with avocado and sea salt. Fresh orange juice. Coffee.
Artists to recommend?
Personally I’m watching Ray Ceasar, Yoko D’Holbachie, Four Yip, Jesse Reno, Victor Moscoso, Sesper, Mr Jago, Mimi S, Dan May, Nathan Spoor, Steven Daily, Food One, Mike Kershnar, and so many more, the list is increasing daily…
Plans for the future?
Yes.
so all you artists or peeps who wanna see your stuff on a tee, click here and open your arts project store now.

Picture 5Picture 6ARTSPROJEKT

Say hello to Andy Howell. For those of you that know him, rock on and keep readin’. For those of you who don’t (yet), get ready to be inspired – for Andy is one of the greats, the true artists and true to the core art lovers. His latest creation is ARTSPROJEKT –  a playground in which the world’s most creative individuals and brands can turn unique ideas into dynamic product experiences that best represent each individual artist and brand. Check it out.

What is the best thing about helping people dream big?

Easy: helping inspire new generations of creative people to realize the impact they can have on the world.

What inspires you, personally?

Love is the most powerful emotion I’ve ever felt, so manifestations of love are naturally the most inspiring to me.

What music is playing in your office?

Supersuckers, Devendra Banhart, Valerie Carter, GC the EP, and the Ramones

Blog to recommend?

http://lostateminor.com

What is your favorite featured Artsprojekt product?

The homepage (http://Artsprojekt.com) is mostly the favorites and newness featured by me and the Artsprojekt crew, so there are definitely gems there. Special editions are a focus right now, creating collaborations with international artists and brands, crossing wires between cultures, geography, and matching emerging artists with global brands to see what kind of electricity erupts.

What inspired this idea?

Over the past 20 years I have been involved in various creative movements within the youth culture, and for the most part have been on the leading edges of the new markets and industries they are known to spawn. This has meant a lot of DIY entrepreneurialism, creating general awareness for new movements, and fostering creativity and community against a backdrop of ignorance. Examples are new art and fashion in the metropolitan environment, street skating, snowboarding, hip hop, punk music, and DIY publishing. In each of these my role as participant and also entrepreneur has helped to further the movements and push the creative envelope, establishing in part a template for future generations to expand and innovate.

Throughout this period in my life, there have been constant challenges that I’ve seen stand in the way of success for “artrepreneurs,” these independent artists turned entrepreneurs. I use the term “artist” to describe anyone involved in an artistic pursuit, including painters, illustrators, graphic artists, typographers, animators, photographers, video game designers, vinyl figure designers, fashion designers, graffiti writers, and a host of others. The fundamental challenge for the artist turned business administrator is one of opposing passions competing for airtime.

Right brain: art. Left brain: administration and business. Both are key to success. Most artists with an entrepreneurial spirit start out using 95% of their time to create art in one form or another, and maybe 5% handling the business side of their art. When their art gets traction with an audience and they start to build a business, they find that ratio reversed to a great extent, which usually brings dilution of their art’s impact.

Eventually they lose the creative edge and become disillusioned.These artistic visionaries then have to choose between the daunting road of creating and running their own business with much less focus on their true artistic talents, and the prospect of freelance, consulting, or employment with a larger firm. Both paths have benefits and challenges, but for the artrepreneur, the latter feels like defeat. However, for the serial artrepreneur, as I define myself, these challenges fall somewhere between speed bump and lost battle.Having first hand experience and seeing this happen over and over for so many years with different creative visionaries, I actually became inspired to seek out a real solution for the artrepreneur. I created agencies, collectives and exhibitions to help bring light to creative talents, then a brand incubator to foster collaboration between business and artistic minded groups, and eventually combined many of the concepts for a truly global global platform enabled by the convergence of technology, community, and art.I founded

Artsprojekt to bring independent artists and brands the knowledge and guidance needed to successfully navigate the landscape of the institutional art and manufacturing worlds, as the two have begun to cross pollinate and ultimately mesh. I aligned with museum curators, art appraisers, galleries, retailers, and product manufacturers to create funnels for creativity that led to exhibitions, commissions, products, and collections for cutting edge boutiques and big box retailers in the US.Then I was introduced to the powerful tool of technology as a means to connect large groups of creatives and allow them to leverage community and product manufacturing platforms to amplify their ideas to a global audience.

Artsprojekt was acquired by Zazzle.com, Inc in 2008, and I began to work together with some of the most creative engineering minds in the world to build on Zazzle’s tools to allow independent artists and brands to create their own businesses using the platform. Artsprojekt allows artists to instantly manifest their ideas as products available worldwide, including reproductions of original art and designs as prints, posters, apparel, footwear, skateboards, and many more.

There is no paid cost to take part, and we handle everything on the back end including providing the product configuration and virtualization tools, financing, inventory, production management, manufacturing, embellishing, quality assurance, intellectual property review, shipping, customer service, and platform maintenance.The revenue sharing model we work from is generous, even more economically sound than traditional inventory models in many cases, and every entity involved in the process of an online sale is rewarded, so the community is synergistic in the commerce sense.

Now artists can truly focus on the most important parts of the process: following their inspirations in order to create unique and compelling designs, and sharing the resulting products with their audience and fans worldwide.  The platform is becoming, by definition, the most immediately relevant cultural experiences and products from artists and brands worldwide, backed by a trusted backbone of quality and service that already reaches over 20 million fans a month. We’ll see what kind of electricity erupts.

The platform is becoming, by definition, the most immediately relevant cultural experiences and products from artists and brands worldwide, backed by a trusted backbone of quality and service that already reaches over 10 million fans a month.kind of electricity erupts.

What is Artsprojekt doing for the environment?

Artsprojekt is by definition a beautiful contradiction. It’s an immediately relevant platform for millions of people to express themselves in a fully-customized made-to-order manufacturing environment, two elements that have been silo’d in the past and rarely mentioned in the same sentence. But this idea of mass customization is the most empowering and environmentally friendly volume alternative to traditional manufacturing and distribution I have ever seen.Creatives can manifest any unique idea or design as virtual products using our technology platform, and post that product for sale in their Artsprojekt store and their own storefronts, sites, blogs, social networks, emails, anywhere.

There is no upfront cost or inventory, because the products are virtual during the design, merchandising and transaction stages of their life. Once a transaction is complete, meaning once a consumer buys one of the products, it is then manufactured in a made-to-order environment by a manufacturing technician, and shipped along with other items in the order to the end user. There is no overproduction or wasted inventory, focused one-off manufacturing, one product path directly to the consumer as opposed to many inventories and shipping costs, and a less than 1% blended return rate due.

All of these reduce expenditure of resources throughout the process, greatly reducing the footprint, while expanding the range of options to nearly infinite for the consumer.Its an entirely different commerce and manufacturing model than the one that has been used in the past, and we believe our platform for mass customization is the next wave of product experience controlled completely by the independent artist, brand, and consumer.

It’s exciting to see the values I have held dear for over 20 years, independent and unique creative expression and entrepreneurialism, being resurfaced with such force through this alignment of technology, art, and consumer demand.In introduction of the concept I sometimes say Artsprojekt and Zazzle are “like iTunes for products”. That seems to make it more tangible for people.

What art / artists are on your wall?

My wife and I are both artists, so we are very passionate about collecting art that inspires us. This neo-contemporary movement we are involved in is at the forefront of the collection, along with some of the contemporary and pop artists that have helped inspire and enable it.  Our collection includes Andy Warhol, Keith Haring, Takashi Murakami, Erte, Shepard Fairey, Milo Manara, Dalek, Sam Flores, David Choe, Alex Pardee, Kathie Olivas, Ed Templeton, Mark Gonzales, Barry McGee, Howard Finster, Guy Burwell, Martin Ontiveros, Mike Burnett, Mike Kershnar, Jim Mahfood, Jesse Reno, and many other artists spread across conceptual, comic, pop, neo-contemporary, folk, and street art genres.

Artists to recommend?

Personally I’m watching Ray Ceasar, Yoko D’Holbachie, Four Yip, Jesse Reno, Victor Moscoso, Sesper, Mr Jago, Mimi S, Dan May, Nathan Spoor, Steven Daily, Food One, Mike Kershnar, and so many more, the list is increasing daily…

What did you eat for breakfast?

Toasted baguette with avocado and sea salt. Fresh orange juice. Coffee.

Plans for the future?

Yes.

So all you artists or peeps who wanna see your stuff on tees, skateboards or art prints click here and apply to open your Artsprojekt store now.

I LOVE GEEKS: TKDANewsletter feature 35

Posted by admin | Posted in Newsletter, TKDA newsletter, Uncategorized | Posted on 23-07-2009

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I LOVE GEEKS

Do you?  Carrie Tucker and Keva do. They go way back, they attracted geeks at Whittier College in LA. Carrie has been on TKDA radar ever since, from Paul Frank to Alternative Press Magazine, now Carrie brings you the official handbook.  Ladies, love your nerd but can’t always relate?  Never fear, I Love Geeks: The Official Handbook is here!  I Love Geeks will guide you through the uncharted territory of Nerd-dom, one interest at a time.
What is the most interesting part of writing a book?
Being completely and utterly absorbed with your subject.  When I was writing Geeks, I could barely hold a conversation beyond, “So, what video games you playing right now?  Really?  Oh, by the way, there’s four for $20.00 manga at Forbidden Planet right now!”
Did you dedicate the book to anyone in particular?
Gary Gygax, R.I.P. – the co-creator of Dungeons & Dragons.  Thanks to him, I learned to Summon Monster IX and Time Stop at a very young age.
What do you hope readers will take with them from your book?
I hope it inspires someone to do something they’ve never done before – pick up a copy of Sandman, delve into The Handmaid’s Tale, go beyond Guitar Hero…and realize that geeks are pretty hot.
Why did you write this book?
I thought it was time to give geeks and nerds their due!  Lots of women (and men, of course – even though my book was written from a women’s perspective, it’s applicable to the opposite sex as well) happen to think that dudes with high IQ’s who are passionate about their often unconventional interests are, well, hot – but they’re unfamiliar with the land of nerd-dom.  That’s where my book comes in.  It’s a guide through what are stereotypically thought of as “geeky” interests: video games, comics, anime, science fiction, etc., and making them a little more accessible to the person who isn’t already a fan.
What inspired the idea?
Hearing a lot of women say things like, “I just don’t get why he plays video games ALL NIGHT LONG!”  and then having them ask a couple weeks later, “So, um…what video games WOULD I like?”
What is the best thing about writing a book?
In this instance, it was being able to use my creativity to (I hope) inspire other women to grow and learn new things…and maybe to laugh, just a little.
What is the worst thing about writing a book?
Honestly?  Nothing!  Sure, it gets frustrating sometimes, but how can I complain?  I’m incredibly fortunate to have these opportunities.  Although, sometimes when I get on a roll, certain things fall by the wayside…um, like washing my hair, enjoying a meal that doesn’t consist of frozen pizza and Red Bull, actually leaving the apartment…
Who did your illustrations?
Originally, I’d been talking to a few friends about helping out with illustrations, but unfortunately due to my insane deadlines we weren’t able to make it happen.  An in-house team came up with some general old-school pixel-esque images that worked in the context of the book.
What is the coolest thing about your book?
Well, technically speaking, my book isn’t “cool” at all – it’s about geeks and nerds!  And it doesn’t try to be cool.  It doesn’t care about being cool – it just wants you to learn, like any good nerd.
What did you do to promote your book?
I did a few signings, one of them at BEA (Book Expo America – as Comic Con is to comic nerds, BEA is to literary nerds), which generated some early press.  I have a strong marketing background, but promoting a book is a full-time job in and of itself.  So I had a great publicist – Piney Kahn – who was beyond on-board with the book and secured awesome stories with all the right people.
How long did it take you to write the book?
Five weeks!  I seriously could write a book on how to write a book in five weeks.
What brought you to the love of nerdy geeky things?
My parents are brilliant individuals, and they encouraged me to learn and supported me in the weird things I did (like bring a book to read at the dinner table).  My father has a PhD and is what’s known in marketing-speak as an “early adopter” – we had a Commodore computer that was as big as I was, and in the mid-80s he opened a computer store where I received my first lessons in DOS and, er, RPGs (that’s “role playing games” for the uninitiated.)
Do you consider yourself a geek?
I guess so, but probably not in a typical sense – despite my past as an ex-Goth.  I mean, I’m into Marc Jacobs and Gossip Girl as much as I am Neil Gaiman and Miike’s re-make of Yatterman.
Who is currently reading your book?
I get emails all the time from girls letting me know that they love and can totally identify with my book – and in many cases, their boyfriend has actually bought it for them in an effort to draw them into their nerd-iverse a little bit more.
What book are you currently reading?
I’m a little late to the game with this, but I’m about a quarter of the way into Bolano’s 2666, and just finished Junot Diaz’s short story collection, Drown.  Oh, and Flannery O’Connor’s biography.  Before these two, I picked up David Moody’s Hater, about a mysterious disease – very apocalyptic, right up my nerdy alley.  It originally was an online self-published novel that generated so much interest it received a hard publication, and Guillermo del Toro just bought the film rights.  What a success story!
Any advise to future authors?
Find yourself a support system!  I think there are far too few resources available for first-time authors who aren’t in the literary “scene” that’s so prevalent here in NYC.  Writing can be a frustrating and lonely business at times, and it helps to commiserate with others who are going through the same thing.  Take classes at your local college, even if you graduated many years ago (like I did.)  Not only will it help you with new ideas and new ways of looking at your writing, but you can find a support system there.  Or you can just email me.  I’ll dork out about writing as much as you’d like.  =)

I LOVE GEEKS: TKDANewsletter feature 35


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I LOVE GEEKS

Do you?  Carrie Tucker and Keva do. They go way back, they attracted geeks at Whittier College in LA. Carrie has been on TKDA radar ever since, from Paul Frank to Alternative Press Magazine, now Carrie brings you I Love Geeks: The Official Handbook.  Love your nerd but don’t get the appeal of Fallout 3 or Doctor Who?  That’s cool, Carrie’s got you covered.  I Love Geeks will guide you through the uncharted territory of Nerd-dom, one interest at a time.

What is the most interesting part of writing a book?

Being completely and utterly absorbed with your subject.  When I was writing Geeks, I could barely hold a conversation beyond, “So, what video games you playing right now?  Really?  Oh, by the way, there’s four for $20.00 manga at Forbidden Planet right now!”

Did you dedicate the book to anyone in particular?

Gary Gygax, R.I.P. – the co-creator of Dungeons & Dragons.  Thanks to him, I learned to Summon Monster IX and Time Stop at a very young age.

What do you hope readers will take with them from your book?

I hope it inspires someone to do something they’ve never done before – pick up a copy of Sandman, delve into The Handmaid’s Tale, go beyond Guitar Hero…and realize that geeks are pretty hot.

Why did you write this book?

I thought it was time to give geeks and nerds their due!  Lots of women (and men, of course – even though my book was written from a women’s perspective, it’s applicable to the opposite sex as well) happen to think that dudes with high IQ’s who are passionate about their often unconventional interests are, well, hot – but they’re unfamiliar with the land of nerd-dom.  That’s where my book comes in.  It’s a guide through what are stereotypically thought of as “geeky” interests: video games, comics, anime, science fiction, etc., and making them a little more accessible to the person who isn’t already a fan.

What inspired the idea?

Hearing a lot of women say things like, “I just don’t get why he plays video games ALL NIGHT LONG!”  and then having them ask a couple weeks later, “So, um…what video games WOULD I like?”

What is the best thing about writing a book?

In this instance, it was being able to use my creativity to (I hope) inspire other women to grow and learn new things…and maybe to laugh, just a little.

What is the worst thing about writing a book?

Honestly?  Nothing!  Sure, it gets frustrating sometimes, but how can I complain?  I’m incredibly fortunate to have these opportunities.  Although, sometimes when I get on a roll, certain things fall by the wayside…um, like washing my hair, enjoying a meal that doesn’t consist of frozen pizza and Red Bull, actually leaving the apartment…

Who did your illustrations?

Originally, I’d been talking to a few friends about helping out with illustrations, but unfortunately due to my insane deadlines we weren’t able to make it happen.  An in-house team came up with some general old-school pixel-esque images that worked in the context of the book.

What is the coolest thing about your book?

Well, technically speaking, my book isn’t “cool” at all – it’s about geeks and nerds!  And it doesn’t try to be cool.  It doesn’t care about being cool – it just wants you to learn, like any good nerd.

What did you do to promote your book?

I did a few signings, one of them at BEA (Book Expo America – as Comic Con is to comic nerds, BEA is to literary nerds), which generated some early press.  I have a strong marketing background, but promoting a book is a full-time job in and of itself.  So I had a great publicist – Piney Kahn – who was beyond on-board with the book and secured awesome stories with all the right people.

How long did it take you to write the book?

Five weeks!  I seriously could write a book on how to write a book in five weeks.

What brought you to the love of nerdy geeky things?

My parents are brilliant individuals, and they encouraged me to learn and supported me in the weird things I did (like bring a book to read at the dinner table).  My father has a PhD and is what’s known in marketing-speak as an “early adopter” – we had a Commodore computer that was as big as I was, and in the mid-80s he opened a computer store where I received my first lessons in DOS and, er, RPGs (that’s “role playing games” for the uninitiated.)

Do you consider yourself a geek?

I guess so, but probably not in a typical sense – despite my past as an ex-Goth.  I mean, I’m into Marc Jacobs and Gossip Girl as much as I am Neil Gaiman and Miike’s re-make of Yatterman.

Who is currently reading your book?

I get emails all the time from girls letting me know that they love and can totally identify with my book – and in many cases, their boyfriend has actually bought it for them in an effort to draw them into their nerd-iverse a little bit more.

What book are you currently reading?

I’m a little late to the game with this, but I’m about a quarter of the way into Bolano’s 2666, and just finished Junot Diaz’s short story collection, Drown.  Oh, and Flannery O’Connor’s biography.  Before these two, I picked up David Moody’s Hater, about a mysterious disease – very apocalyptic, right up my nerdy alley.  It originally was an online self-published novel that generated so much interest it received a hard publication, and Guillermo del Toro just bought the film rights.  What a success story!

Any advise to future authors?

Find yourself a support system!  I think there are far too few resources available for first-time authors who aren’t in the literary “scene” that’s so prevalent here in NYC.  Writing can be a frustrating and lonely business at times, and it helps to commiserate with others who are going through the same thing.  Take classes at your local college, even if you graduated many years ago (like I did.)  Not only will it help you with new ideas and new ways of looking at your writing, but you can find a support system there.  Or you can just email me.  I’ll dork out about writing as much as you’d like.  =)